Role Of Jaques in Shakespeares As You Like It :: Shakespeare As You Like It Essays

Role Of Jaques in As You Like It The essentially healthy emotional intelligence of Rosalind and Orlando and their suitability for each other emerge from their separate encounters with Jaques (in some editions Jacques), the melancholy ex-courtier who is part of Duke Senior's troupe in the forest. Both Rosalind and Orlando take an instant dislike to Jaques (which is mutual). And in that dislike we are invited to see something vitally right about the two of them. For Jaques is, in effect, the opposite of everything Rosalind stands for. He is a moody cynic, who likes to look at life and draw from it poetical contemplations at the generally unsatisfactory nature of the world. He is, in a sense, an initial Hamlet-like figure (the comparison is frequently made), someone without any motivating erotic joy, who compensates for his inadequacy by trying to drag everything down to the level of his empty emotions and by verbalizing at length in poetical images. He takes some pride in what he calls his very own brand of melancholy which can suck the joy out of life as a weasel sucks the protein out of an egg (an interesting image of the destruction of new living potential), and he spends his time wallowing in it. His own social desire seems to be to find someone else to wallow in the same emotional mud as he does. But the spirits of the other characters, especially of Rosalind and Orlando, are too vital and creative to respond favourably to J aques's attempts to cut life down to fit his limited moods. That judgment no doubt sounds quite harsh. And perhaps it is, for Jaques is a relatively harmless person, who deceives no one (nor does he try to), and his poetical reflections, like Hamlet's, are often seductive. But we should not let the fame of some of his utterances (particularly the famous "Seven Ages of Man" speech in 2.7, a frequently anthologized piece of so-called Shakespearean "wisdom") conceal the fact that his approach to life is thoroughly negative. He sees no value in anything other than calling attention to the world's deficiencies. He does not recognize in the fellowship, music, and love all around him any countervailing virtues.